The "Autonomous Marionette" triptych, from Frank Nitty's ‘Rrreality’ series, is a mesmerizing digital series that explores the delicate interplay between freedom and control through minimalist, white animated visuals. Each piece in this collection depicts a surreal female figure, evoking the ethereal essence of puppetry and theatrical performance.

Together, these artworks invite viewers into a world where the marionette transcends her traditional constraints, embodying a poignant blend of independence and subtle direction. The "Autonomous Marionette" triptych is a compelling exploration of identity, freedom, and the unseen forces that guide us.

Autonomous Marionette I

Autonomous Marionette II

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Autonomous Marionette III

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"Haimana’s unveiling No.01'' is a standout piece in Frank Nitty’s ‘Rrreality’ collection. This series is a journey through the enigmatic world of commercial narratives, where Nitty masterfully explores the intricate dance of seduction and manipulation. By repurposing imagery, he reveals profound layers of meaning, uncovering alternative motives beneath the glossy facade of advertising and crafting narratives that transcend mere allure.

Nitty salvages or fabricates images, suspending them in time to transform fleeting advertisements into timeless relics. These reconstructed fragments form intricate fictions, inviting viewers to navigate the boundary between the familiar and the surreal. Through skillful juxtaposition and surrealist deconstruction, he uncovers hidden patterns and themes, transforming characters into objects and objects into characters.


Haimana's unveiling No.01

"Dumplings" is a striking piece in Frank Nitty’s "Rrreality" collection that provocatively examines the complexities of female identity. Through this visceral imagery, Nitty captures the struggle between inner resilience and external forces. The sliced head serves as a metaphor for vulnerability, exposing the turmoil that often lies beneath the surface. Each figure represents different facets of the female experience, illustrating how societal pressures can impact mental and emotional well-being.

Nitty’s intricate details and bold composition invite viewers to confront the realities of female existence, making "Dumplings" an immersive and thought-provoking exploration of the interplay between identity, resilience, and the weight of expectations.

Dumplings

Frank Nitty’s exhibition is headlined by "King for a Day, Fool for a Lifetime," a striking piece that encapsulates the spirit of his show, "Rrreality." This captivating journey delves into the world of commercial narratives, where seduction meets manipulation. Nitty repurposes imagery to expose hidden meanings behind the glossy allure of advertising, crafting stories that go beyond the surface.

By salvaging or fabricating images, he suspends them in time, turning fleeting ads into enduring relics. These fragments form intricate fictions, blending the familiar with the surreal. Through juxtaposition and surrealist deconstruction, Nitty unveils hidden patterns, transforming characters into objects and vice versa.

Behind the pixels, Nitty acts as a mischievous puppeteer, manipulating the digital stage. Drawing from nature’s trickery and the precision of mechanics, he orchestrates an immersive experience that pulls viewers into his surreal, thought-provoking world.

King for a Day

"Machine No. 01" is a compelling piece in Frank Nitty’s "Rrreality" collection that explores the intricate interplay between mind and body. This artwork presents a mechanized figure that symbolizes the duality of human experience, inviting viewers to consider how physicality influences thoughts and emotions.

With a blend of organic and abstract forms, Nitty captures a dynamic tension, portraying the body as both a vessel of expression and a site of conflict. His intricate details challenge perceptions of identity, suggesting that our thoughts shape, and are shaped by, our physical selves.

Through this engaging visual narrative, Nitty creates an immersive experience that encourages reflection on the complexities of human existence, making "Machine No. 01" a thought-provoking exploration of the evolving dance between mind and body.

Machine No.01

"Portrait of a Man Slicing Nikes" is a provocative piece from Frank Nitty’s "Rrreality" series, where commercial culture meets subversive critique. This artwork challenges the glamor of consumerism by deconstructing an iconic brand, exposing the tension between desire and destruction.

In his signature style, Nitty reclaims and reimagines imagery, transforming it into a statement that blends the familiar with the surreal. The act of cutting becomes symbolic, slicing through layers of cultural meaning. Characters and objects shift fluidly, inviting audiences to see beyond the surface of consumer symbols.

With a playful yet critical approach, Nitty manipulates this visual theater, offering a glimpse into the mechanics of commercial seduction. His deconstruction of an iconic brand creates an immersive experience that pulls viewers into a world of both critique and contemplation.

Portrait of Man Slicing Nikes

“Portrait of a Woman Holding Bags" is a mesmerizing surreal “Rrreality” artwork by Frank Nitty that invites viewers into a dreamlike exploration of consumer culture and identity. 

Nitty's intricate details and imaginative composition blur the lines between reality and fantasy, encouraging a deeper reflection on the relationship between material possessions and self-perception. The woman’s posture exudes both strength and vulnerability, embodying the duality of empowerment and pressure inherent in modern life.

Through this captivating portrayal, Nitty challenges viewers to reconsider the weight of societal expectations and the often surreal nature of personal identity. "Portrait of a Woman Holding Bags" stands as a thought-provoking commentary on the complexities of femininity and consumerism in today’s world.

Portrait of Woman Holding Bags

"RAF SIMMONS Look Book reinterpretation No. 01" is a striking homage to the iconic designer’s bold aesthetic and cultural commentary. This artwork reimagines the visual language of Raf Simons' look books, merging fashion and fine art to explore identity and style.

Nitty skillfully deconstructs and reconstructs familiar imagery, creating a dynamic composition that reflects the tension between high fashion and personal expression. Through layered textures and striking contrasts, he captures the essence of Simons’ work while infusing it with his own vision.

This piece invites viewers to engage with the multifaceted nature of modern fashion, prompting reflection on how clothing serves as a canvas for self-identity and social narrative. With its vibrant colors and intricate details, "RAF SIMMONS Look Book reinterpretation No. 01" challenges traditional notions of fashion representation, transforming it into a thought-provoking exploration of creativity and cultural dialogue.

RAF SIMMONS Look Book No.01

"Twister" is a highlight in Frank Nitty’s "Rrreality" collection, a journey into the mysterious world of commercial narratives. Nitty explores the intricate dance of seduction and manipulation, repurposing imagery to uncover deeper meanings. Beneath the glossy surface of advertising, he reveals hidden motives, crafting stories that transcend mere allure.

By salvaging or fabricating images, Nitty freezes them in time, turning fleeting ads into enduring relics. His reconstructed fragments invite viewers to traverse between the familiar and the surreal. Through juxtaposition and surrealist deconstruction, he uncovers hidden patterns, transforming characters into objects and back again.

Behind the pixels, Nitty acts as a playful puppeteer, manipulating the digital stage. Drawing from nature’s trickery and the precision of mechanics, he creates an immersive experience that pulls viewers into his surreal, thought-provoking world.

Twister

The "Autonomous Marionette" triptych, from Frank Nitty's ‘Rrreality’ series, is a mesmerizing digital series that explores the delicate interplay between freedom and control through minimalist, white animated visuals. Each piece in this collection depicts a surreal female figure, evoking the ethereal essence of puppetry and theatrical performance.

Together, these artworks invite viewers into a world where the marionette transcends her traditional constraints, embodying a poignant blend of independence and subtle direction. The "Autonomous Marionette" triptych is a compelling exploration of identity, freedom, and the unseen forces that guide us.


"Haimana’s unveiling No.01'' is a standout piece in Frank Nitty’s ‘Rrreality’ collection. This series is a mesmerizing journey through the enigmatic world of commercial narratives, where Nitty masterfully explores the intricate dance of seduction and manipulation. By repurposing imagery, he reveals profound layers of meaning, uncovering alternative motives beneath the glossy facade of advertising and crafting narratives that transcend mere allure.

Nitty salvages or fabricates images, suspending them in time to transform fleeting advertisements into timeless relics. These reconstructed fragments form intricate fictions, inviting viewers to navigate the boundary between the familiar and the surreal. Through skillful juxtaposition and surrealist deconstruction, he uncovers hidden patterns and themes, transforming characters into objects and objects into characters.





Haimana’s unveiling No.01 

Rrreality

Frank imbues his images with a simple elegance that betrays the intense, idiosyncratic process that his personal style requires.

Frank
Nitty3000

Rrreality

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Description from the artist

Frank Nitty3000

Rrreality

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Description from the artist

Frank
Nitty3000